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Published in Relix magazine, February 2005.
“I like to keep track of stuff. Some
of us do, and I believe it’s important to preserve the
recordings and information for the bands.”
Out of Great Falls, Montana, Tim Christensen—a.k.a.
Pastor Tim—is the vault keeper for The Big Wu and Yonder Mountain
String Band. He started appreciating live music while growing
up in the Bay Area during the late ‘60s, but didn’t
immerse himself until the late 1990s. Christensen began by joining
mailing lists for various bands, taping shows, and offering B&Ps
(blanks and postage). His email address read “pastortim” and
the moniker stuck.
“People always ask me, ‘Are you a real pastor?’ but not everybody
believes it’s my day job.” On Sundays, Christensen preaches the
gospel to his Lutheran congregation, tucking his salt and pepper hair in a
ponytail, while firmly planting his feet in his well-worn Birkenstocks.
Although nobody pays for archivist moonlighting,
the bands pick up the occasional repair bill to keep the donated
DAT decks going in his studio. “I can’t think of
a more qualified, caring and supporting person,” says Ben
Kaufmann, Yonder Mountain String Band’s bassist.
Christensen inherited the Big Wu vault from his
friend and then-Big Wu manager Paul Hagen. “He showed up
with a big box of DATs and wished me luck,” Christensen
says. A few years ago in Bozeman, Montana, Yonder asked Christensen
if he would be interested in taking over their vault. “I
said flat-out no!” he chuckles. A few months later they
approached him again. “I’m already doing it for one
band, I thought, so how much more work can a second one be?” Soon
Christensen received another box of tapes, many unlabeled or
with incomplete information.
Tapers across the nation provide him with fresh
recordings for the two archives. In addition to technical information,
Christensen records stage banter in the archives’ databases. “It’s
all pretty geeky,” he asserts. “I like to keep track
of stuff. Some of us do, and I believe it’s important to
preserve the recordings and information for the bands.” A
few years ago, when the Big Wu wanted a live release from its
archive, they turned to Christensen. He immediately suggested
a stellar performance from Cedar Cultural Center (3/13/98), which
was released with the subtitle “A bootleg recording from
Pastor Tim’s archives.”
Great Falls is a rare stop on jamband itineraries
so Christensen makes frequent drives to hear live music. “I
could never do the job if I didn’t like the guys [in the
bands],” he
says. “I’m doing it for friends, and that makes it
worthwhile.”
-Eric V. Segalstad
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